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Showing posts with label Review 1998. Show all posts
Showing posts with label Review 1998. Show all posts

Carbon Knight [Palette]

September 27, 2018
Foreword: I did not have much hopes about the game, but its introduction came upon me as a whirlwind. Mechanical dolls? Knights without soul? Three armored musketeers? Great demon king in person? A parade of deaths? Those were only a few things encountered in first 10 minutes of the game. Game has a very strong start and a strong ending with some nice battles and character development in-between. What's not to like here?

Title: Carbon Knight
Developer: Palette
Date: 1998-09-25
VNDB link: https://vndb.org/v10914
Youtube walkthrough: https://www.youtube.com/playlist?list=PLENAECnNmAq_kUzzqmi57545i6p5b_Dwl
Synopsis: A world devastated by the battle of gods. The surviving people created inanimate "carbon humans" by using the relics of Gods and sealing the soul within. For several hundred years the war lasted. Now carbon knight needs to deter the restoration of the once sealed demon king.
Structure: 13 short days.
Length: 4 hours for one playthrough
Game type: Eschatological fantasy.
Difficulty: At least moderate, since there are a lot of choices and I only got lonely ending while there are happy endings with a girl as well.
Character Design rating: 8/10
Protagonist rating: 5/10
Story rating: 9/10
Game quality: 7/10
Overall rating: 8/10
Rating comments: Overall score might be even 9 if I got some substantial epilogue that should exist in some girl ending. The lonely ending I got was too abrupt, but actually cool in itself. Characters are funny and cute enough. They look simple at the first glance, but each of main heroines carries a huge secret behind her back, so I like how their personalities played out. Protagonist is very straightforward, but he's probably needed like that for story's sake. Game quality suffers from big loading times between the scenes. Autoskip function is implemented very poorly. Backgrounds are mostly implemented in 3D, but that's rather a feature than a shortcoming here since those look immersive. But as for the story, it seems ordinary fight the demon king tale, but bears much more in it as it goes, so I rate story very high.
Protagonist: Isaak is shown almost always irritated and/or shouting. He is too straightforward and short-tempered. He's not the most pleasant MC to deal with, but he's not voiced, so he can grimace as much as he wants in silence. 
Characters: There seem to be two main heroines - long red-hair Sheckly and short violet-hair Fortita. Sheckly is our usual child friend, tender and caring. Fortita is much more mysterious since she's very short and never aging. She's actually a carbon knight, soulless relic created to fight demonic invaders. She serves to Isaak and his father. There is also father Balzak's fighting buddy girl Gina who gets a H scene if willing. Possibly she can also get her ending, but according to very few and very poor CG gallery that exists for the game good ending confirmed only for Sheckly, just don't cite me on it. There are lots of very colorful side-characters as well. Everyone but MC is voiced, so it's never really boring.
Story: So the game starts in a whirlwind of events. Demon king and his army demolish the city and kill the populace. The three armored musketeers are the only ones who try to oppose the demons. Sheckly, Isaak and Fortita try to escape a group of mechanical dolls. Next we're shown the dialogue between the demon king and the three musketeers and how a mechanical doll comes out with three corpses of Sheckly, Isaak and Fortita pierced. Isaak's father who is one of the musketeers goes berserk and demolishes the demon king... Then Isaak wakes up and those events seem to be a dream on the demon king invasion three years ago. Isaak is dreaming of becoming carbon knight master and goes on a journey with Sheckly and Fortita. There they confront demonic underlings who predict the resurrection of the demon king once all his body parts scattered around the world are collected again. These events take roughly first 15-20 minutes of the game, so I would not consider them a spoiler. As you can imagine, all the demon parts are destined to be collected for a grand confrontation again. But what I especially liked was that the battles of carbon knights and demons started out quite plain, but kept on with more and more increasing numbers of fatalities on both sides nearly wiping all the characters in the game. That was absolutely terrific and unprecedented since the time I saw GANTZ. Just so you know, there's much more to the story than just a series of battles. Every hero has a huge secret and uncovering those secrets make the game really exciting. Ending is surprising as well.
System: So I decided to devise an optional system section since there are issues that don't fall into other sections well. So here I wanted to rant why I only got lonely ending and not going to pursue true ending with a girl. First of all, I value initial game experience very much - and each consecutive playthrough is a torture for me, especially without a guide. Secondly, I know that I like lonely ending the best since it's so cool, a real mortal combat. Lastly, game has very poor skipping feature that has to be turned on in the menu and you can't really stop it till there's a new choice or till a new scene starts. And each scene loads for some 10-20 seconds. It's really not fun doing it again. There are actually two more issues - big number of selections and very poor save implementation. Each time you load, you're thrown away very far back, so it's hugely inconvenient. 
CG: Absolutely terrific CG. Just loving it with all my heart. So much detail. Sometimes the blend of 2D and 3D looks weird, but mostly it's in harmony. But the best part in the art is dresses of girls. These dresses show so much skin that they look like the prototypes for all the modern Korean mmorpgs. Truly hilarious and breathtaking.


Sound: BGM is decent, but not too memorable.
Title and Themes:  Game does not tell us much about carbon knights from the start apart of the fact that Fortita is one. But carbon knight theme gets a huge development in the last third of the game and finishes with the absolute domination of this theme, so it's a good choice.
Overall comments: So Carbon Knight has its flaws lying mostly in technical part, but they don't belittle its advantages. I consider it to be the first traditional fantasy chuunige and a huge masterpiece of the time.

Shunpuu Shoujo 春風少女 [Aquarium]

September 12, 2018
Foreword: Not the type of work I read usually. But game managed to conquer my heart with its opening song, as well as wonderful and various BGM. Actually, I would call it foreground songs rather than background music since those songs shine during the whole course of the game due to the fact that game's not voiced at all. But of course music alone can't be enough to keep attention. Shunpuu Shoujo has very beautiful unique art style and quite intriguing synopsis about celestial girl emerging in human world - such common synopsis was a base for lots of great visual novel stories of the past. But enough preface, let's begin. I'm sorry for the excessive number of screenshots - it's done because game has no CG gallery available online.

Title: Shunpuu Shoujo
Developer: Aquarium
Date: 1998-10-30
VNDB link: https://vndb.org/v15331
Youtube walkthrough: https://www.youtube.com/playlist?list=PLENAECnNmAq-u71AkUIovdrTzdPdIL0j9
Synopsis: Takuma Takuma is a college student. One day a girl Sari from another world appears before him. She said that she appeared to purify the conscious body possessed by Takuma and the should live together till that time. Takuma friends and girl classmates aren't really happy about that. Where shall the future take him?
Structure: 13 small chapters.
Length: 3-4 hours
Game type: Celestial beings on Earth comedy
Difficulty: Easy. Game offers a choice from time to time, but those are either flavor choices or additional CG triggers.
Character Design rating: 8/10
Protagonist rating: 7/10
Story rating: 5/10
Game quality: 6/10
Overall rating: 7/10
Rating comments: I always ask myself first whether the game is of masterpiece level or not. And if it's not, it can only get as much as 6. And I've come to a conclusion that it's a masterpiece, albeit minor. Character design is astonishing, but characters don't get too much development. Protagonist is ok, but in the end he's just a passive girlish student. Story is on par with Viper-GTS level, so decent, but nothing too complicated or notable. Game quality gets a huge penalty for absence of voicing and overall small length. 
Protagonist: Takuma main feature is that he looks so girlish with his small slender body and long pink hair. That looks a bit weird, but only till HCG come in action. Seeing two small angels on the screen cuddling is quite heartwarming. Overall he's a passive graduating student and can't really move narration by himself.
Characters: Story does not have branches, so there is only one main heroine Seiri there. But there are also two lively side-heroines - childhood friend that attends the same college and lower grade student who looks up to protagonist as a teacher. Yes... even though Takuma is a college student he somehow participates in practice as teacher for lower high school students. It's relations between these four characters that form the basis of the game and become the stage for lots of humorous situations. Apart of those four characters there are also two more heavenly beings and lots of sub-characters.  
Story: I rated story the lowest - as 5/10, so I'm not truly content with that. Takuma finds Seiri jumping from the portal and getting to know the cast takes first 5 chapters. Then first celestial being appears and brings some cheap drama followed by bouncing back and merry chapters again. In 10th chapter second celestial being arrives bringing more drama and finishing on Christmas eve sweet date. The very ending is curious though as it gives an answer on the future awaiting protagonists since the default situation is quite sad - Seiri is bound to return to her world and live forever while Takuma has to grow old like any mortal. Happy end is very satisfactory.
CG: CG here are so gentle and cute. I don't think I've seen art style like that anywhere before. It surely is a treat after today's absolutely the same polished art style dominating in both anime and visual novels. 


Sound: BGM is an important actor in the game. For the first hour I was just listening to the BGM rather than enjoy character interaction. Soundtrack is especially cool because there is lots of singing in it.
Humor: Humor here is not high quality, but rather in form of funny faces, character sprite emotions, chibi action CG etc. Most of such CG depict someone hitting someone else or such. But same as with CG, even chibi style here is very cute and actually only half-chibi since it's the same body that's deformed and head is proportional to the rest of the body.


Title and Themes:  Title can be roughly translated as "spring breeze girl". I don't think there's a special meaning to it, but Seiri is really so pure and shiny that she's like a breeze among other games' heroines.
Overall comments: Game's actually better than description above. It has special charm that can't be felt without seeing for yourself. It has unique magic due absence of voicing and unconventional CG and BGM. I'm really glad that Aquarium recovered from the ugly art of its first works Carrot Time and Pretty Cat ~Lily and Kyle no Daibouken~. But I also like that the company does not forget its roots - just look at the very first screenshot - it's Nyantaru Pu himself from Toki no Moto e! I'm happy to see Aquarium made it in the 2000s and will look forward to seeing its further eleven works.

Psyclone サイクロン [Vanilla]

September 07, 2018
Foreword: I have not put a 10/10 score in a while. Psyclone is a classic cyberpunk story with sophisticated plot and great cast of characters. For genre fan it's an ultimate treasure. But game's not hookable, so I had to manually copy each line from the script for video playthrough. It was absolutely worth my time and I hope it can be worthy of yours.

Liaison リエゾン ~liaison~ [Bell-Da]

August 10, 2018
Foreword: Bell-Da as a company has come a long way in visual novel industry, but prior to Liaison there were only terrible macromedia flash tasteless short games. But Liaison managed to turn the tides by presenting a solid story about working adults that kept my attention for over 4 hours till the end.

Kuon no Kizuna 久遠の絆 [FOG]

July 18, 2018
Foreword: There is a good number of English reviews on this game (1 2 3 4), but those are all kinda short and non-structured. Now I know why and mine won't be an exception. You'll know why soon enough as well.
Title: Kuon no Kizuna
Developer: FOG
Date: 1998-12-03
VNDB link: https://vndb.org/v2773
Youtube walkthrough: https://www.youtube.com/playlist?list=PLENAECnNmAq-CHIuWBfnU3DYzNCEcLjcV
Synopsis: This story starts out from the perspective of a high school student. One day a transfer student comes to his school, and tells him she’ll kill him. At the same time, he starts seeing weird dreams and people mysteriously gets killed in his city.
Soon he realizes that them two are incarnated personalities of a man and a goddess that fell in love 1000 years ago. Since then, they have been trapped in a cycle of reincarnation and a battle against an evil god.
Length: Took me 66 hours for all routes.
Game type: ADV with choices and couple easy battles.
Difficulty: I followed walkthrough, so not too sure on difficulty. There are some fake choices, but there are also choices that lead to game over. And there are a LOT of choices, so it must be quite difficult.
Character Design rating: 7/10
Protagonist rating: 8/10Story rating: 6/10
Game quality: 9/10
Overall rating: 7/10
Rating comments: This is one of the most ambitious projects I've ever seen. Just imagine - 66 hours. 66 hours of not raising stats, killing monsters or chasing girls over and over. 66 hours of pure text reading time. There's nothing like that in the 1990s and it won't be beaten till 2000s. You know, in many Japanese reviews of the time volume is a very important factor and there's often such criteria as cost-efficiency. Visual novels cost a lot and compared to solid books they used to lose all the time. But everything changed with Kuon no Kizuna. It became a paragon for both volume and visuals. 
I liked protagonist and characters enough, but they don't become cozy. They remain transcendent beings piercing the veil of time in an epic story, not really likable characters who I could respect for their characters or decisions, that's why it's 7/10. The story is indeed epic, but it does not go smoothly. We jump from reality to three periods all the time and the shifts aren't really explained, they just happen. I also did not like it that the first half of the story is pretty much the same for all three heroines and we just have to read it three times with little variation. That makes story only 6/10. But the quality of the game is superb, especially with full voice (excluding the protagonist though). The graphics are stunning and visual effects amazing. No complaints with the quality.
Protagonist: Mikado Takeru is a strong protagonist as he constantly has to protect those who are dear to him and he's the only one who can oppose demonic forces thanks to his demonic heritage. He's a one man army and hardly ever gets any help from the side. He'd be more realistic with voice, but he's quite cool even as he is now.

Characters: There are three heroines who have their own routes.
Takahara Mayou is our mysterious transfer student who greets Takeru for the first time with words "This time I will definitely kill you".
Itsuki Shiori is a childhood friend who Takeru lives with under the same roof.
Tokiwa Saya is the class teacher.
Story: The rant part. So each heroine has her route... but it's the same route, at least for the first half of it. In the second half some periods are developed for each heroine, but still there's a very strong feeling that you're watching the same story and it irritates a lot. 
There are four periods: Heian, Genroku, Bakumatsu, and the present. Present and Heian are really the same and those are the most boring parts, especially Heian. Heian focuses on a an ancient period of Japanese history where nothing really happened for dozens of years and that's why it's full of myths and legends - because there was nothing to do there. In Kuon no Kizuna Heian is when beasts invasion starts and it differentiates just a bit in the end depending on the heroine chosen throughout it. I especially liked Bakumatsu period for meeting and fighting alongside Shinsengumi (and sometimes against) and kunoichi. 
But there is a great problem with these periods - they aren't really connected to each other. People can die there or love there and in next period everything starts from scratch. That creates the feeling of multiple stories and I really dislike that genre. Nothing really happens throughout those stories, then beasts arrive, the short drama and it's over. Heroines aren't really able to hold attention. But what's worse, the heroine of your choice have play very small role till the very end of each part. 
But then comes the fantastic Special route №1 that arrived later with remake as an attempt to tighten the crumbling main story. Special route №1 lasts for some 7 hours, holds a totally new epic story with really great enemies and is a great ending for all the characters, so I can't praise it enough.
The Special routes №2 and  №3 are there for comic relief after all that superserious narration.
So overall the story really sucks, repeats itself in routes and has poor tempo. But the great special route makes up for it.
CG: Just fantastic. See for yourself.
Sound: I really appreciated full voicing and beautiful BGM. That kept me from sleeping.
Overall comments: This game was created to surprise the imagination. It has huge length and astonishing visuals, but there still was no culture of such huge coherent stories - thus the multiple periods format with lousy links between them. Dialogues are long and not too meaningful, fights are inevitably dull and poorly written, heroines fail to catch attention and the absence of humor makes it all a real torture. The sudden jumps between periods only add to the confusion. But this game bears a huge importance for the industry as it made long story-driven visual novels without gameplay elements viable while only dating SIMs, charage and nukige governed the ball.

EVE: The Lost One [C's Ware]

November 08, 2017
Foreword: If you do not know of EVE:Burst Error, you better stop here right now and go watch video playthrough of that gorgeous game. EVE the Lost One is a direct sequel to that game and there will naturally be spoilers on the prequel content. That being settled - I did not pay much attention to the Lost One right away and did not review it properly while observing year 1998. Japanese reviews failed even to give an outline of the plot and were generally not too favorable. Only after playing it myself I found out the perfect answer "why" and that will be covered below.

Exodus Guilty エクソダスギルティー [Abel]

October 03, 2017
Foreword: This is Kanno-san's scenario and I could not miss on it. There are a lot of good English reviews on the game so I'll try to just add some additional thoughts I have on top of those reviews.

luv wave / ラブ・ウェーヴ [C's Ware]

September 27, 2017
Foreword: C's Ware produced so many good works that I inevitably had to observe each work very thoroughly. luv wave with its 3D half-naked girl on the cover looked more like a 3D adult movie than a cyberpunk game. Who knew then that it would be one of my favorite games.

DiaboLiQuE / -デアボリカ- [Alice Soft]

September 21, 2017
Foreword: I don't believe Alice Soft - they can only make eroge and bakage. But this game was highly praised overseas. Who knows, maybe it's the game that can overcome my aversion.
 
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